May Lyon : Associate Artist
Random Audio Sample: Bugs : for violoncello duet by May Lyon, from the CD Selected Works by AMC Represented Artists, vol. 117.
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Photo: May Lyon (2018)
Artist website: http://maylyon.com
May Lyon is a composer and music educator based in Melbourne. Lyon's music explores a range of themes, from deep human emotions to mathematical concepts, as well as the lighter side of life. Stylistically eclectic, Lyon's compositions move from dramatic and intense, to quirky. Narrative, precision, duality and rhythm are all strong recurring elements.
In June 2020 Lyon's first opera, Pieces of Margery, will be performed in conjunction with Melbourne based opera company More Than Opera under the baton of Alan Cook. In 2019 Cook premiered Orchestral Equations (2014) with the The National Capital Orchestra.
Lyon is currently studying a Doctor of Musical Arts at the University of Sydney as part of the 2020-21 Composing Women Program, under the mentorship of Liza Lim and Matthew Hindson. Upcoming collaborations as part of this course are with the Sydney Dance Company, Tasmanian Symphony Orchestra, and Sydney Philharmonia Choirs. In 2019 Lyon completed a Master of Music (Composition) as a recipient of the Fay Marles Scholarship at the University of Melbourne under the guidance of Katy Abbott and Elliott Gyger. Lyon started formal music study in 2008, at the age of 28, majoring in Composition from 2009.
In 2019 Lyon was a finalist for the Beleura Emerging Composer Award as part of the Melbourne Prize for Music. In 2017 Lyon was a participant in the Cybec 21st Century Australian Composers Program, writing Ignition under the mentorship of Brenton Broadstock OA. Following this, Lyon was commissioned by the MSO to compose the main piece for the 2019 Snare Drum Award, Phosphorus. In 2016-17 Lyon received several commissions, including composing Ode to Damascus for Syzygy Ensemble as part of the Melbourne Recital Centre's "Local Heroes" program, Echo and The Fate of Phaethon for Ensemble Goldentree, and Neheh, again for Syzygy Ensemble, as part of The Glen Johnston Composition Award. Lyon received several scholarships during her undergraduate studies, including the Adolf Spivakovsky Scholarship for Composition of Music for verse re-rhymes, which was premiered by Ensemble 21 in August 2010. Lyon completed her BMus Honours in 2014 having studied with Dr Stuart Greenbaum, Dr Elliott Gyger.
Performances and collaborations have included Ensemble Goldentree, Zelman Symphony Orchestra, Rubiks Collective, Syzygy Ensemble, E21, Melbourne Women's Choir, flautist Robin Meiksins (Chicago) multi-arts organisation Forest Collective and vocal group Icon Trio. In January 2018 Lyon was a participant in the Prime Composition workshop with composer Adrian Sutton, resulting in a short work, I love maths. I also like outerspace, that was performed during intervals at Melbourne performances of The Curious Incident of the Dog in the Night-Time. Lyon's music was featured on ABC Classic's New Waves in 2017, several times on 3MBS, including Live at the Wireless, and continues to be included on various Making Waves podcasts, including an hour length interview for Making Conversations in 2017 with Matthew Lorenzon.
May Lyon — current to February 2020
Awards & Prizes
|2019||Melbourne Prize for Music||Finalist - Beleura Emerging Composers Award 2019|
|2009||Adolph Spivakovsky Scholarship for the Composition of Music||Winner||Verse re-rhymes|
|Opal : Double Concerto for Horns and Orchestra (2021)||Commissioned by Melbourne Symphony Orchestra.|
|Phosphorus : for solo percussion (2019)||Commissioned by Lyn, Tim & Kris Edwards, together with the Melbourne Symphony Orchestra for the 2019 Snare Drum Award.|
|Echo : soprano voice with accompaniment (2018)||Commissioned by Ensemble Goldentree for International Women's Day 2018|
|The Fate of Phaethon : for soprano, horn and string quartet (2017)||Commissioned by Ensemble Goldentree.|
|Ignition : For Chamber Orchestra (2017)||Commissioned as part of the 2018 Cybec 21st Century Australian Composers' Program.|
|Ode to Damascus : for flutes, clarinet, violin, cello and piano (2016)||Commissioned for Melbourne Recital Centre / University of Melbourne with the support of Majlis Pty Ltd|