Audio Sample
|
Performance by Tasmanian Symphony Orchestra, David Porcelijn from the CD Australian Composers' Orchestral Forum, 1998. |
Selected products featuring this work — Display all products (2 more)
Display all products featuring this work (2 more)
Work Overview
The title 'Soundscapes and Omens' alludes to the procession of scenic aural vistas and ominous undertones that characterise the work. At times, the soundcapes are static; at other times, they build powerfully, prescient of something firghtening about to happen. The work buidls through a process of widening pitch intervals beginning with semitone clusters built around pivotal pitch centres. The work was composed in 1998 and revised in 2019.
Work Details
Year: 1998
Instrumentation: 2 flutes (2nd doubling piccolo), 2 oboes (2nd doubling cor anglais), 2 clarinets in B flat, 2 bassoons, 4 horns in F, 2 trumpets in B flat (or in C), 2 trombones, bass trombone, tuba, percussion (1 player), harp, strings (4.3.3.2.2).
Duration: 12 min.
Difficulty: Medium — Advanced secondary/tertiary/professional
Commission note: Commissioned by the Australian Composers' Orchestral Forum 1998
First performance: by Tasmanian Symphony Orchestra, David Porcelijn — 13 Nov 98. Australian Composers Orchestral Forum, Odeon Theatre, Hobart
Revised in 2019.
Performances of this work
21 May 19: Presbyterian Ladies’ College, Burwood Vic. Featuring Presbyterian Ladies College, Melbourne. Orchestra, Timothy Phillips.
13 Nov 98: Australian Composers Orchestral Forum, Odeon Theatre, Hobart. Featuring Tasmanian Symphony Orchestra, David Porcelijn.
User reviews
Be the first to share your thoughts, opinions and insights about this work.
To post a comment please login.