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Work

The Ground : for flute, oboe, clarinet in Bb, didgeridoo, string quartet and double bass

by Leah Curtis and Chris Williams (2022)

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The Australian Music Centre's catalogue does not include any recordings or sheet music of this work. This entry is for information purposes only.

Materials for this work may be lodged in our collection in the future. Until then, any enquiries should be made directly to the composer/sound artist or their agent.

Work Overview

This collaboration with Southern Cross Soloists and Didgeridoo player and descendant of the Wakka Wakka people from Queensland Chris Williams, has opened up a new conversation. A new language and voice, shared empathy, curiosity, and expression through music. Chris has invited me into his world of the didgeridoo. One where I can barely feel the gravity of layers of the history of this instrument and all who've played and experienced it as they are deep and vast.

From opposite sides of the Pacific and connecting on screens from our studios, we've found promise in exploring ideas, techniques, and mapping out possibilities of nuanced and yet open roles of the didgeridoo with chamber ensemble. Much of our exploring won't make it through, but the possibilities that do, have a magic that captures our own heads and hearts. It is a new woven, unbridled conversation we can bring into the world and concert hall, the merging of my composed world with Chris's freer expression.

The piece starts with Williams playing a bloodwood eucalyptus didgeridoo made by Adam Henwood. It's pitched on low A and has a beautiful earthy, rich tone, before moving to his instrument pitched on D.

Poet David Whyte, in his book Consolations, describes the ground as "...the living, underlying foundation that tells us what we are, where we are, what season we are in and what, no matter what we wish in the abstract, is about to happen in our body; in the world or in the conversation between the two."

When we are there, we can allow ourselves to be part of the greater world. Writer Annie Yi tells us that "the wilderness lives within all of us, the rhythms of our bodies tethering us to the natural world..." and poet Mary Oliver, in "Sleeping in the Forest" brings us closer in again.

...I slept
as never before, a stone
on the riverbed, nothing
between me and the white
fire of the stars but my thoughts, and they floated
light as moths among the branches
of the perfect trees.
I heard the small kingdoms breathing around me...

What can music bring to this moment? Woven, glimmering, anchored, free, wild, open moments with our own longings and surrender. These instruments together on the same stage allow us all to be transformed into a new sound world and the infinite possibilities that might accompany it.

These instruments together on the same stage allow us all to be transformed into a new sound world and the infinite possibilities that might accompany it. It reflects our shared future through music.

The ground anchors us, connects us, and allows us to come home to ourselves. Support rising from beneath, that nurtures. From the darkness and aloneness of isolation, we emerge, senses heightened.

Work Details

Year: 2022

Instrumentation: Flute, oboe, clarinet in B flat, didjeridu, 2 violins, viola, cello, double bass.

Duration: 8 min.

Difficulty: Advanced

Commission note: Commissioned by Southern Cross Soloists with funds provided by Australia Council.. Commissioned by the Southern Cross Soloists, Artistic Director Tania Frazer, as part of the Didgeridoo Commissioning Project.

First performance: by Chris Williams, Southern Cross Soloists — 19 Jun 22. Queensland Performing Arts Centre, Brisbane Meanjin, QLD

The composer notes the following styles, genres, influences, etc in association with this work:
Nature, texture, women composers, indigenous composers, cross cultural collaboration. Influences: John Adams, Kaija Saariaho, John Corigliano, Alexandre Desplat, Ola Gjeilo, Hildur Guðnadóttir.

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.

Performances of this work

19 Jun 22: Queensland Performing Arts Centre, Brisbane Meanjin, QLD. Featuring Chris Williams, Southern Cross Soloists.

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