Journal issue #1
A Tangled Web? New Music Online
Edited by Rhiannon Cook and Danielle Carey — 31.07.07
Now is a pivotal time in Australian music history. Technological advances are affecting the ways in which we engage with music at all stages of its lifecycle. Documentary processes play a crucial part in this lifecycle – aiding promotion, providing context, supporting education, and fostering discussion. As we move further into the online environment, the increasing significance of the Internet is causing these processes to evolve rapidly.
So what exactly does this mean for the communities of people who consume, support, and make new music?
The impact of these changes is potentially enormous. The ability to connect globally with like-minded people means that individuals and smaller communities of practice have the possibility of finding their niche...
In this Issue
- Editorial: A Tangled Web? New Music Online
- by Danielle Carey and Rhiannon Cook
- Taking Advantage of Web 2.0
- by Robert Davidson
- Digital Inequality
- by David Hirst
- From Waves to Bytes: Radio Online
- by Stephen Adams
- Consuming Culture in Context
- by Simon Chambers
- Telling It As It Is
- Richard Gill on Presenting New Music, by Rhiannon Cook and Danielle Carey
- Notes with Potential to Make Music
- by David Garrett
- Joe Blog: Who Cares?
- by Rhiannon Cook and Danielle Carey
- Opening Doors to New Music
- by Frank J. Oteri
- Documenting the Australian Jazz World (not)
- by Miriam Zolin
- ACID Press: a New Approach to Knowledge Collaboration
- by Jon Drummond and Richard Vella
- World-Wide Webley-Smith
- by Martin Wesley-Smith
- Jon Rose Web
- by Jon Rose
- It’s Addictive
- by Cat Hope
- The Blogger
- by Peter Smith
- Networking Online
- by Stephen Cronin
- A Strategy of Exposure
- by Peter McNamara
- The Australian Sound Design Project
- by Ros Bandt