Login

Enter your username and password

Forgotten your username or password?

Your Shopping Cart

There are no items in your shopping cart.

SON-ombra

Sheet Music: Score

SON-ombra : String Quartet No. 1 / Felicity Wilcox.

Also known as: String Quartet No. 1

by Felicity Wilcox (2018)

  • Purchase Price: $52.73 (Usually ships in 3-8 business days) — Add to Cart
  • Library Availability: 785.714/WIL 11 — Available for loan
  • Instrumentation: 2 violins, viola, cello.
  • Digital Library -- View full score online*

    Members:
    Not a member? Become a member online and access the Digital Library immediately

    * This item is not yet in the Digital Library. Members can make an online request which will be reviewed in 2 business days
  • Audio Sample

    Performance by Sydney Art Quartet from the CD Selected Works by AMC Represented Artists, vol. 107.

$52.73

Add to Cart

Usually ships in 3-8 business days

Shipping Info

Product details

SON-ombra means SOUND-shadow. In conceptualising this piece, I was inspired by Denis Smalley's seminal text 'Spectromorphology' (1997). I was most taken with his notion of sonic traces, or the ways in which sound can leave a residue in its wake. The idea of 'sonic consequences' seemed to pervade my initial idea of generating both strong sounds and their traces, and I was also keen to set up interactions between the individual players to convey this idea at the micro level. So, throughout the work, there is a pattern where gestures are reiterated/reciprocated and circulated around the ensemble.

It seemed to me that having the two movements played as a retrograde of the other would most accurately convey the idea of a sound-shadow, and also be a strong compositional choice, in that it would allow the movements to be performed in any order, and through allowing the audience to hear the reversal of the sounds very clearly as the two movements transition, would make more directly apparent the core conceptual idea of 'sonic consequence'.

So the two movements are of exactly equal length in terms of bars, and contain identical material composed laboriously in retrograde. At times I have changed the rhythm to capture how an echo or reverb might manifest, at times I have removed any clear sense of pitch via extended techniques to create blurring. The two movements can be performed in any order, and in fact the work is perhaps most effective if the movement containing the 'trace' sounds ("ombra") is presented first. This is a facet of the piece that further subverts the kinds of hierarchies inherent in traditional electro-acoustic music and chamber music performance. It asks the question, "Who is to say that a reverb cannot precede the sound from which it is derived, or that an echo has to follow its trigger?"

Published by: Australian Music Centre — 1 facsimile score (40p. -- A4 (landscape))

Difficulty: Advanced — extended techniques and rapid passages

Duration: 10 min.

Contents note:

1. SON (sound) -- 2. ombra (shadow).

 

Commission info: Commissioned by Sean Botha

First performance by Sydney Art Quartet at Secrets through a Soundglass (Joan Sutherland Performing Arts Centre) on 24 Feb 2018

Includes program notes.

The composer notes for the following influences, subjects, genres etc associated with this work:
spectromorphology, extended techniques, gesture

The two movements can be played in any order.

Typeset edition.

ISMN: 9790673110489

Related products

This work is also available in the following products:

Selected Works by AMC Represented Artists, vol. 107.
CD: Selected Works by AMC Represented Artists, vol. 107.

Uncovered Ground
CD: Uncovered Ground : Collected Chamber Works / Felicity Wilcox.

 

- Browse other works for String Quartets

- Browse other works by Felicity Wilcox

Analysis & Media

- Resonate Article: Uncovered Ground


User reviews

Be the first to share your thoughts, opinions and insights about this item.

To post a comment please login