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Maali

Digital Audio Album

Maali / Andrew Schultz ; West Australian Symphony Orchestra, Simone Young.

  • Published by ABC Classics — December, 2020 [0028948554324] — 1 online resource (1 sound file).
  • Sales Availability: Buy Maali on the iTunes Store
  • Library Availability: This item is not available from the Australian Music Centre Library

Featured Australian works

  Work Composer PerformersDuration
Maali, op. 101 (2016) Concerto for oboe, clarinet, horn and bassoon with orchestra
Recorded/performed at: Perth Concert Hall, on 4 Aug 17.
Andrew Schultz West Australian Symphony Orchestra, Peter Facer, Allan Meyer, David Evans, Adam Mikulicz, Simone Young 26 mins, 40 sec.

Product details

Maali is a large-scale three movement work in the tradition of the 'sinfonia concertante' - works for a small group of concerto soloists with orchestra. In this case the soloists are the wind quartet combination of oboe, clarinet, bassoon and horn. Each of the parts is quite challenging and virtuosic and there are also intense ensemble demands on the quartet as a group. The work is accompanied by a large orchestra including full brass and percussion sections - the orchestral scoring does omit oboe, clarinet, bassoon but includes three flutes (which have a prominent role in the work) and also includes cor anglais, bass clarinet and contrabassoon. The latter are the bass siblings of the solo woodwind parts and with the flutes complement the sonorities of the solo instruments.

The three movements are arranged fast-slow-fast with the second movement running without break into the final movement. The first movement (with a tempo marking of "Lively, fast and playful") is by turns rhythmically playful and expressively lyrical with the interchange of moods suggesting the natural world of great birds at play. The second movement (marked "Slow, dreamlike") is lyrical and full of fantasy as one musical image floats into another, in each case expressively led by a soloist.

The final movement (marked "Variations: Fast, joyous") is an extremely buoyant and jubilant set of double variations. There are two themes heard (or one theme with two halves) followed by a total of ten variations (or five pairs of variations). The music of the double theme alternates a rhythmic melodic line (first heard in solo horn) with an answering chorale-like passage; this pattern continues through the movement.

The great birds referred to in the title, Maali, also provide a clue to the source of the musical ideas in this movement. The Noongar word Maali means black swan - these are birds that are native to the Perth region in Western Australia.

Contents note:

Movement 1 - Lively, fast and playful (9 min., 40 sec.) -- Movement 2 - Slow, dreamlike (6 min., 30 sec.) -- Movement 3 - Variations: Fast, joyous (10 min., 30 sec.).


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