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CROSSED & RECROSSED

Digital Audio Album

CROSSED & RECROSSED / by Peter Knight & Australian Art Orchestra.

  • Published by Australian Art Orchestra — 10 September, 2021 — 1 online resource
  • Sales Availability: This item may be available to purchase from the Australian Music Centre.
    Please contact our Sales Department to confirm pricing and availability.
  • Library Availability: CD 3205 — Reference (not for loan) copy only

$POA

This item may be available to purchase from the Australian Music Centre.
Please contact our Sales Department to confirm pricing and availability.

Featured Australian works

  Work Composer PerformersDuration
Diomira (2016) for chamber jazz orchestra
Recorded/performed at: Metropolis New Music Festival, Melbourne Recital Centre, Elizabeth Murdoch Hall, on 9 May 16.
Peter Knight Australian Art Orchestra 15 mins, 27 sec.
The Plains for large jazz ensemble
Recorded/performed at: Ginger Studios, Melbourne , on 10 May 19.
Peter Knight Australian Art Orchestra 22 mins, 34 sec.

Product details

Crossed & Recrossed presents two works composed by Peter Knight & inspired by mappings of imagined places by iconic Australian novelist, Gerald Murnane & Italian master, Italo Calvino.
Simultaneously celebrating & deconstructing the tropes of minimalism, Crossed & Recrossed creates a series of musical mirages that form on an endless sonic horizon, reflecting & reimagining the wide open spaces described in Murnane's iconic novel, The Plains & the labyrinthine streets of Calvino's Invisible Cities.

"Peter Knight's work sets up a post-minimal logic that refracts & disintegrates as we listen. The instrumentation of the chamber jazz orchestra is expanded with the unexpected additions of turntables, a reel-to-reel tape machine & live laptop signal processing. The sounds of acoustic instruments & voices are interwoven with field recordings cut onto vinyl & are filtered & augmented as Knight plays with our perceptions of what we hear & what we imagine we have heard. Time folds into itself in a very Calvino-esque manner, leaving us with the trace residue of moments half remembered."


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