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BookAnalysis and Study of Roger Frampton’s Composition, “The Long Journey” and the Sandy Evans Improvised Solo as Transcription / Alice Cohen.
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Non-Commercial
This item is not commercially available from the Australian Music Centre. We regret that we cannot offer it for sale. |
Australian Works Analysed in this Book
| Work | |
|---|---|
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| Jazznost suite (1990) by Roger Frampton |
Product details
This Analysis and Study observes some of the interrelationships and synthesis of musical styles and elements that are shared between the composer's score and the improviser's creation.
Observing the composition's musical elements: structural form, rhythm, melody and harmony with the tenor saxophone improvisation as a transcription, there can be seen how some of the improviser's ideas form within the solo performed in Chorus 1.
It is not only through these identifiable musical elements within the score and the improvisation that are skillfully integrated to create a music full of expression, balance, unity and confluence, but also the many intangibles of shared experiences, and the energy of making music together, both as a soloist and as an ensemble.
These observations came from the original Music IV Research Paper Thesis: "How does an Improviser
Create Balance and Unity within a Score?" Supervisor: Peter Sculthorpe. By Alice Cohen © August 1994
(Amended 2023). M.A. (Composition) University of Sydney, 1994.
ISBN: 987-0-9758471-1-4
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