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ELISION in Taiwan: On the fringe of noise and silence

Event

ELISION in Taiwan: On the fringe of noise and silence

  • Date: Friday, 31 May 2019, 7:30pm
  • Venue: National Concert Hall, Taipei — Taipei, Taiwan

Event Details

Aaron Cassidy Self-Portrait, Three Times, Standing (15.3.1991–20.3.1991) (2019) 11′ for saxophone, trombone, piano, and contrabass

Annie Hui-Hsin Hsieh Creased Impressions on the Imagined Surface of Becoming (2018/19) 20′ for flute, oboe, clarinet, saxophone, trumpet, trombone, percussion, piano, violoncello, and contrabass

Wei-Chieh Lin Erosion (2018/19) 15′ for bass flute, oboe, bass clarinet, alto saxophone, trumpet, trombone, percussion, keyboard, violoncello, and contrabass

Chih-Liang Lin Come to an End (2018/19) 10′ for bass flute, bass clarinet, trumpet, trombone, percussion, violoncello and contrabass

Liza Lim How Forests Think (2016) 32′ for 37-pipe sheng, flutes, oboes, clarinets, alto saxophone, trumpet, trombone, percussion, violoncello, and contrabass 

Featured non-Australian music: Cassidy, Lin, Lin

Further information for this event is available online at the event's website

Featured Australian Works

Creased Impressions on the Imagined Surface of Becoming (10+ players: brass, keyboard, percussion, string, woodwind) (2019) by Annie Hsieh — World premiere
— performed by Elision Ensemble
How forests think : for sheng and ensemble (2016) by Liza Lim
— performed by Elision Ensemble

Featured artists

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